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Finalist: Quartet, by Michael Gilbertson

Premiered on February 2, 2017 at Weill Recital Hall, Carnegie Hall, New York City, a masterwork in a traditional format, the string quartet, that is unconstrained by convention or musical vogues and possesses a rare capacity to stir the heart.

Nominated Work

Quartet

Commissioned by the Verona Quartet, Concert Artists Guild, and BMI Foundation.

-- from the composer's website

 

Biography

The works of Michael Gilbertson (b.1987) have been described as "elegant" and "particularly beautiful" by The New York Times, "vivid, tightly woven" and "delectably subtle" by the Baltimore Sun, and "genuinely moving" by the Washington Post. He studied composition at The Juilliard School and at the Yale School of Music. Gilbertson’s works have been performed by the Minnesota Orchestra, Cabrillo Festival of Contemporary Music, Pittsburgh Symphony, Washington National Opera, Albany Symphony, San Francisco Chamber Orchestra, Grand Rapids Symphony, River Oaks Chamber Orchestra, Symphony in C, New England Philharmonic, Lafayette Symphony, Dubuque Symphony, Cheyenne Symphony, Aspen Contemporary Ensemble, Sybarite5, Verona Quartet, WindSync, and professional choirs including Musica Sacra, The Crossing, and The Esoterics. In March, 2016, he was Musical America’s featured New Artist of the Month. Since 2009 Michael has served as artistic director of ChamberFest Dubuque, an annual music festival he founded to bring classical artists to his hometown for concerts, educational outreach, and to raise money for community music education. Since fall 2017, Michael has begun his three-year tenure as Composer-in-Residence with the San Francisco Chamber Orchestra. He is currently on the faculty at the San Francisco Conservatory.

Winners

Prize Winner in Music in 2018:

Kendrick Lamar

Recording released on April 14, 2017, a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life. Music

Finalists

Nominated as finalists in Music in 2018:

Ted Hearne

Recording released on March 24, 2017 by The Crossing, a five-movement cantata for chamber choir, electric guitar and percussion that raises oblique questions about the crosscurrents of power through excerpts from sources as diverse as Supreme Court rulings and ventriloquism textbooks.

The Jury

Regina Carter(Chair)

violinist

Paul Cremo

Dramaturg/Director of Opera Commissioning Program

Farah Jasmine Griffin

William B. Ransford Professor of English and Comparative Literature and African-American Studies

David Hajdu

Professor of Journalism

David Lang*

composer

Winners in Music

Du Yun

Premiered on January 6, 2016, at the Prototype Festival, 3LD Arts and Technology Center, New York City, a bold operatic work that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world. Libretto by Royce Vavrek.

Henry Threadgill

Recording released on May 26, 2015 by Zooid, a highly original work in which notated music and improvisation mesh in a sonic tapestry that seems the very expression of modern American life (Pi Recordings).

Julia Wolfe

A powerful oratorio for chorus and sextet evoking Pennsylvania coal-mining life around the turn of the 20th Century.

John Luther Adams

A haunting orchestral work that suggests a relentless tidal surge, evoking thoughts of melting polar ice and rising sea levels.

2018 Prize Winners

Staff of The Washington Post

For purposeful and relentless reporting that changed the course of a Senate race in Alabama by revealing a candidate’s alleged past sexual harassment of teenage girls and subsequent efforts to undermine the journalism that exposed it.