Finalist: The Post and Courier, by Photography Staff
Nominated Work
To the Pulitzer Prize Judges for Feature Photography:
On the night of June 17, 2015, reports of a mass shooting at Emanuel AME Church pierced the newsroom. Still recovering from exhaustive coverage of the killing of Walter Scott, a black man shot four times in the back by a white police officer, members of our visuals staff rushed to respond.
From that night at the scene and throughout, our visuals team captured images of a community, first stunned by violence, then overcome with sadness and then determined to unite and heal. That was a difficult, demanding task, but the photographs in this entry illustrate our staff’s vision and ability to be there and be ready. Depicting ongoing violence is certainly powerful. But capturing tension, deep emotion and healing is an even more refined skill.
Within minutes of arriving that night our photographers produced poignant images that captured the entire story. Multiple law enforcement agencies swarmed the area surrounding the church as Rev. Anthony Thompson, ran through initial police lines trying to get to his wife inside. When finally stopped, he collapsed overcome with emotion. His wife was among the nine people killed inside the church. On the same block police officers searched with guns drawn for the shooting suspect on the grounds of a nearby downtown church.
As details emerged about the crime and the gunman, a white man who opened fire during a prayer meeting in the historic black church, our photographers realized they faced a deeper responsibility: the need to connect the crime and aftermath with the city’s continuing struggle to come to grips with its complicated racial history.
“Charleston strong” wasn’t just a phrase: The nation saw the community praying and mourning in solidarity on the streets and in crowded churches. Our staff was there to capture the unbroken spirit of Charleston, and we were there as thousands joined hands in a Bridge to Peace forming a human unity chain across the Charleston harbor bridge to honor the Emanuel Nine.
As all of that occurred, the massacre prompted renewed calls for removal of the Confederate flag from the South Carolina Statehouse grounds. Out staff of six visual journalists captured that, too. The contentious debate, heated protests from opposing sides and the ceremonial removal of the flag made for compelling pictures.
Our photographers wrestled with their own grief as they endured long days with searing summer heat indexes in the triple digits. Covering the ninth funeral was as emotional as the first, but our staff was there for the entire story, not coming and going like the hordes of media organizations that descended on our city. Using basic wireless technology and old school community journalism, our staff provided the most complete photo account of the Emanuel massacre in print, online and over social media.
For these reasons we nominate them for the Pulitzer Prize for Feature Photography.
Sincerely,
Mitch Pugh, Executive Editor















