Finalist: The Boston Globe, by Jessica Rinaldi
Nominated Work
To the judges of the Pulitzer Prize:
She crouched on the toilet, layering a thin line of white powdered heroin along the rim of her welfare card and inhaled sharply. Outside the bathroom door, her young daughters wailed for their mom, small fists banging futilely against the door. Raquel Rodriquez ignored them, eyes closed as she waited for the drug hit to take hold. When it did, she wiped her eyes and turned the handle, enveloping the sobbing children in hugs.
Heroin and other opioids have devastated countless families nationwide, killing 1,200 or more each year in Massachusetts alone. But often that toll remains unseen. Mothers like Raquel grapple with addiction away from the glare of the camera, their struggles untold until the worst happens.
Jessica Rinaldi was there to photograph the raw moment in late 2014 when Raquel took that hit in the bathroom. The troubled mother had invited Rinaldi into her chaotic home, opening up about her struggle – with poverty, with her children, and most of all with drugs. Rinaldi was there nine days later when the 48-year-old addict swallowed her first cup of methadone, resolving that this time, she was quitting for good. In all, the photographer spent more than a year chronicling Raquel’s story, from the first, anxious days of recovery to the downward slide that came with summer.
As 2015 unfolded, Raquel’s tale of addiction collided with another of year’s biggest news stories in Massachusetts – the tale of a beleaguered state Department of Children and Families trying (and too often failing) to protect children in unstable homes. These, too, are accounts that tend to play out in private, until and unless tragedy strikes. But Rinaldi was there to capture the day-to-day strife, and occasional victory, of a childhood interrupted by addiction. She was there as six-year-old Mimi stood on the sidewalk in the cold, clutching her mother’s purse as she waited for her to return from the clinic. She documented the rare triumph when Mimi graduated from kindergarten, her smile wide. With a sensitive, spare style, Rinaldi captured not just the heartbreak, but the bright, sometimes silly moments that define even the most difficult childhoods.
In August, as Raquel succumbed again to the pull of opioids, Rinaldi was there again, as she was on the inevitable day when the state took the children. Perched on the floor of the squalid bedroom, Rinaldi took photographs as Raquel writhed her bed, the gravity of the situation only just setting in.
We proudly nominate Rinaldi’s work for the Pulitzer Prize in Feature Photography.
Sincerely,
Brian McGrory
Editor, The Boston Globe
















