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For a distinguished example of feature photography in black and white or color, which may consist of a photograph or photographs, Ten thousand dollars ($10,000).

The New York Times, by Josh Haner

For his moving essay on a Boston Marathon bomb blast victim who lost most of both legs and now is painfully rebuilding his life.
Lee Bollinger and Josh Haner

Lee C. Bollinger, President of Columbia University (left), presents the 2014 Feature Photography Prize to Josh Haner of The New York Times.

Winning Work

To the Judges:

Josh Haner's assignment was straightforward: spend several weeks or months with one of the victims of the Boston Marathon bombings, and make our readers feel like they are there with him during the recovery.

By the end of Day 1, the assignment was doomed. The mother of Jeff Bauman, a spectator who had become a symbol of the marathon carnage, kicked Bauer out of her son's hospital room and explained that he was not welcome there.

Yet three months later, having earned the trust of the entire Bauman family and overcome countless other hurdles, Haner delivered a portfolio to match the enormity of the story. His photographs were arresting and haunting, intimate and soulful, honest and absolutely unforgettable. They far exceeded the original mission, coming as close as photographically possible to putting the reader through rehabilitation with the subject.

Great photographers have an eye. Better photographers have an eye and a willingness to report deeply. This is what elevated Haner's work in "Beyond the Finish Line": the hours spent interviewing Jeff Bauman, his girlfriend, medical officials, the rehabilitation staff, Bauman's friends and everyone else who could provide insight into what Bauman was experiencing.

The photographs are infused with such reporting - Bauman's daunted, wide eyes as he sizes up a stairway; his hand gently holding what remains of his right leg; his mother poring over yet another stack of insurance documents as they ride the elevator to yet another medical appointment

These are hard-won images. The family, at first, and then hospital officials were leery of granting access to a patient with massive physical and psychological trauma. The nature of the Boston attacks made the issue even more fraught. Our readers would not know this. They see only a collection of visceral photography that might well stand as the lasting emblem of the impact of the bombings.

For his photographs and supplementary video that transported readers from a familiar news event to the wrenching and mundane life it created for one suffering man, I am proud to support the nomination of Josh Bauer for the Pulitzer Prize for Feature Photography.

Tim Rohan

Reporter, The New York Times

Author of "Beyond the Finish Line"

Winning Work

Jeff Bauman rests during occupational therapy at Spaulding Rehabilitation Hospital less than a month after having his lower legs blown off in the first of two pressure cooker bombs that exploded at the Boston Marathon. (Josh Haner, The New York Times - May 8, 2013)

Bauman's eyelashes were scorched in the blast.  They had been long and bristly.  Now, they were growing back, only slower than he'd liked.  (Josh Haner, The New York Times - June 5, 2013)

With his strength and balance improving, Bauman no longer needed a slide board (in back of his wheelchair) to move from the chair to his therapy mat at Spaulding Rehabilitation Hospital in Boston. (Josh Haner, The New York Times - May 7, 2013)

His mother, Patty, took time off work as a waitress to attend to him and navigate the paperwork associated with his treatment.  She was responsible for getting him to appointments which were scattered across Boston.  Here, he is late for an appointment to discuss different prosthetic leg options. (Josh Haner, The New York Times - May 15,2013)

A month after the bombings, Bauman had the sutures removed from what was left of his legs at Boston Medical. Outside, a flag flew at half-staff in honor of the victims. (Josh Haner, The New York Times - May 15, 2013)

Bauman wore netting to keep his bandages in place. In addition to losing much of his legs, he sustained burns on his back and a deep puncture wound in his upper right arm. (Josh Haner, The New York Times - May 8, 2013)

Bauman shares a joke with his girlfriend Erin Hurley at Spaulding Rehabilitation Hospital.  He had been at the marathon finish line waiting for her to complete the race when the bombs went off. (Josh Haner, The New York Times - May 8, 2013)

Initially, he could not stand to see his amputated legs, but he gradually grew more comfortable with them. Several days after the sutures came out, he had his first appointment with a prosthetist. (Josh Haner, The New York Times - May 21, 2013)

Hanging out with friends, who were wearing bracelets with the words 'Bauman Strong' on one side and 'April 15, 2013' on the other. (Josh Haner, The New York Times - May 28, 2013)

Bauman and Carlos Arredondo, the bystander who had helped him, were introduced at Fenway Park on May 28 before throwing the ceremonial first pitch for a Boston Red Sox game. (Josh Haner, The New York Times - May 28, 2013)

At home, he packed three tablets of the painkiller oxycodone in a baggie before going to a restaurant for his father's 53rd birthday. (Josh Haner, The New York Times - May 16, 2013)

Shooting at a clay pigeon at a friend's bachelor party. "I don't know how I'm going to do with loud noises," he said beforehand. In the bomb blast, his right eardrum was blown out and his left one had a sizable hole. (Josh Haner, The New York Times - May 18, 2013)

Casts of his thighs were made to build the sockets for his prosthetic legs. (Josh Haner, The New York Times - May 21, 2013)

With his energy returning, Bauman was able to get out of the house more. Long stretches in his wheelchair make him sore, and he cannot go up stairs yet. (Josh Haner, The New York Times - May 20, 2013)

At home in the apartment he shares with his mother in Chelmsford, Mass., Bauman was agitated that she could not find one of his prescriptions. (Josh Haner, The New York Times - May 10, 2013)

Bauman's not-quite-finished prosthetic legs with their size-10.5 sneakers. (Josh Haner, The New York Times - May 31, 2013)

At a final fitting for his prosthetic legs, Bauman walked on his own for the first time since the day of the marathon. His girlfriend Erin, looked at him and said, 'I love that you're standing right now,' before coming around to steady him and kiss him. (Josh Haner, The New York Times - May 31, 2013)

After a long day, Bauman's legs were sore when his girlfriend Erin, arrived.  She had recently started doing yoga near his house and was spending most nights sharing his bed at his mother's apartment, living out of her car. (Josh Haner, The New York Times - May 21, 2013)

Bauman underwent physical therapy. His left leg was much weaker than his right, which made it more challenging. (Josh Haner, The New York Times - June 26, 2013)

Invited by the Boston Bruins to appear before Game 6 of the Stanley Cup finals, Bauman stood and took a few steps, accompanied by his outpatient physical therapist, Michelle Kerr. At left, in the cowboy hat, is Carlos Arredondo, a bystander who helped Bauman shortly after the bombs detonated. Jeff did not want to appear, but his mother encouraged him and eventually convinced him, saying, 'this country needs some hope right now.' (Josh Haner, The New York Times - June 24, 2013)

Biography

Josh Haner is Staff Photographer for The New York Times. He grew up in San Francisco, and graduated from Stanford University with a B.A. in Studio Art (Photography) and a B.S. in Symbolic Systems. After graduating he moved to New York to take a job as an Assistant Photo Editor at Fortune Magazine and after 2 years moved to the New York Times to photograph, edit, and produce multimedia projects. He was recently selected as "One to Watch" by American Photo and previously, he was named one of Photo District News's Industry Players. He lives in Brooklyn, New York.

Finalists

Nominated as finalists in Feature Photography in 2014:

Lacy Atkins

For her revealing portrait of an Oakland school's efforts to help African-American boys avoid neighborhood risks and profit from education.

Michael Williamson

For his portfolio of pictures exploring the multi-faceted impact of the nation's food stamp program on 47 million recipients.

The Jury

Janet Reeves(Chair )

former assistant managing editor, photo/multimedia

Kathy Kieliszewski

director of photography and video

Kevin Martin

visuals editor

Barbara Roessner

executive editor

Judy Walgren

director of photography

Winners in Feature Photography

Javier Manzano

For his extraordinary picture, distributed by Agence France-Presse, of two Syrian rebel soldiers tensely guarding their position as beams of light stream through bullet holes in a nearby metal wall.

Craig F. Walker

For his compassionate chronicle of an honorably discharged veteran, home from Iraq and struggling with a severe case of post-traumatic stress, images that enable viewers to better grasp a national issue.

Barbara Davidson

For her intimate story of innocent victims trapped in the city's crossfire of deadly gang violence.

Craig F. Walker

For his intimate portrait of a teenager who joins the Army at the height of insurgent violence in Iraq, poignantly searching for meaning and manhood.

2014 Prize Winners

Donna Tartt

A beautifully written coming-of-age novel with exquisitely drawn characters that follows a grieving boy's entanglement with a small famous painting that has eluded destruction, a book that stimulates the mind and touches the heart.

Annie Baker

A thoughtful drama with well-crafted characters that focuses on three employees of a Massachusetts art-house movie theater, rendering lives rarely seen on the stage.

Alan Taylor

A meticulous and insightful account of why runaway slaves in the colonial era were drawn to the British side as potential liberators.

Megan Marshall

A richly researched book that tells the remarkable story of a 19th century author, journalist, critic and pioneering advocate of women's rights who died in a shipwreck.