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For a distinguished volume of original verse by an American author, Fifteen thousand dollars ($15,000).

Half-light: Collected Poems 1965-2016, by Frank Bidart (Farrar, Straus and Giroux)

A volume of unyielding ambition and remarkable scope that mixes long dramatic poems with short elliptical lyrics, building on classical mythology and reinventing forms of desires that defy societal norms.

Frank Bidart accepts the 2018 Pulitzer Prize for Poetry from Columbia University President Lee Bollinger. (Photo: Eileen Barroso/Columbia University)

Winning Work

Half-light: Collected Poems 1965-2016

The collected works of one of contemporary poetry’s most original voices

Gathered together, the poems of Frank Bidart perform one of the most remarkable transmutations of the body into language in contemporary literature. His pages represent the human voice in all its extreme registers, whether it’s that of the child-murderer Herbert White, the obsessive anorexic Ellen West, the tormented genius Vaslav Nijinsky, or the poet’s own. And in that embodiment is a transgressive empathy, one that recognizes our wild appetites, the monsters, the misfits, the misunderstood among us and inside us. Few writers have so willingly ventured to the dark places of the human psyche and allowed themselves to be stripped bare on the page with such candor and vulnerability. Over the past half century, Bidart has done nothing less than invent a poetics commensurate with the chaos and appetites of our experience.

"Half-light" encompasses all of Bidart’s previous books, and also includes a new collection, "Thirst," in which the poet austerely surveys his life, laying it plain for us before venturing into something new and unknown. Here Bidart finds himself a "Creature coterminous with thirst," still longing, still searching in himself, one of the "queers of the universe."

Visionary and revelatory, intimate and unguarded, Bidart’s "Half-light: Collected Poems 1965-2016" are a radical confrontation with human nature, a conflict eternally renewed and reframed, restless line by restless line.

-- from the publisher

Biography

Frank Bidart is the author of "Metaphysical Dog" (FSG, 2013), "Watching the Spring Festival" (FSG, 2008), "Star Dust" (FSG, 2005), "Desire" (FSG, 1997), and "In the Western Night: Collected Poems 1965-90" (FSG, 1990). He has won many prizes, including the Wallace Stevens Award, the 2007 Bollingen Prize in American Poetry, and the National Book Critics Circle Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

Finalists

Nominated as finalists in Poetry in 2018:

Evie Shockley

A brilliant leap of faith into the echoing abyss of language, part rap, part rant, part slam, part performance art, that leaves the reader unsettled, challenged—and bettered—by the poet’s words.

Patricia Smith

A searing portrait of the violence exacted against the bodies of African-American men in America and the grief of the women who mourn them, infused with a formal virtuosity emblematic of the poet’s aesthetic sophistication and savvy linguistic play.

The Jury

Alison Hawthorne Deming(Chair)

Agnes Nelms Haury Chair in Environment and Social Justice and Regents’ Professor

David Baker

Professor of English

Thomas Lynch

writer and undertaker

Winners in Poetry

Tyehimba Jess

For a distinctive work that melds performance art with the deeper art of poetry to explore collective memory and challenge contemporary notions of race and identity.

Peter Balakian

Poems that bear witness to the old losses and tragedies that undergird a global age of danger and uncertainty.

Gregory Pardlo

Clear-voiced poems that bring readers the news from 21st Century America, rich with thought, ideas and histories public and private.

Vijay Seshadri

A compelling collection of poems that examine human consciousness, from birth to dementia, in a voice that is by turns witty and grave, compassionate and remorseless.

2018 Prize Winners

Staff of The Washington Post

For purposeful and relentless reporting that changed the course of a Senate race in Alabama by revealing a candidate’s alleged past sexual harassment of teenage girls and subsequent efforts to undermine the journalism that exposed it.