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Finalist: The Orlando Sentinel Staff

For coverage of the mass shooting at the Pulse nightclub, including middle-of-the-night reports as party-goers hid and police prepared to storm the building and subsequent work that took readers inside the club and humanized the victims.

Nominated Work

Winners

Prize Winner in Breaking News Reporting in 2017:

Staff

For relentless coverage of the “Ghost Ship” fire, which killed 36 people at a warehouse party, and for reporting after the tragedy that exposed the city’s failure to take actions that might have prevented it. Breaking News Reporting

Finalists

Nominated as finalists in Breaking News Reporting in 2017:

The Dallas Morning News Staff

For keeping readers informed during a chaotic shooting spree that killed five police officers and injured nine others and delivering timely, vivid and heartbreaking accounts of the horrific night.

The Jury

Amalie C. Nash(Chair)

Executive Editor, West Region

Felice Belman

Politics Editor

Cory Haik

Chief Strategy Officer

Mark Rochester

Former Executive Editor

Julie Westfall

Deputy Politics Editor

Winners in Breaking News Reporting

Los Angeles Times Staff

For exceptional reporting, including both local and global perspectives, on the shooting in San Bernardino and the terror investigation that followed.

The Seattle Times Staff

For its digital account of a landslide that killed 43 people and the impressive follow-up reporting that explored whether the calamity could have been avoided.

Staff

For its exhaustive and empathetic coverage of the Boston Marathon bombings and the ensuing manhunt that enveloped the city, using photography and a range of digital tools to capture the full impact of the tragedy.

Staff

For its comprehensive coverage of the mass shooting at a movie theater in Aurora, Colo., that killed 12 and injured 58, using journalistic tools, from Twitter and Facebook to video and written reports, both to capture a breaking story and provide context.

2017 Prize Winners

C. J. Chivers

For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.

Peggy Noonan

For rising to the moment with beautifully rendered columns that connected readers to the shared virtues of Americans during one of the nation’s most divisive political campaigns.

Hilton Als

For bold and original reviews that strove to put stage dramas within a real-world cultural context, particularly the shifting landscape of gender, sexuality and race.

Art Cullen

For editorials fueled by tenacious reporting, impressive expertise and engaging writing that successfully challenged powerful corporate agricultural interests in Iowa.