Finalist: Photography Staff of the Associated Press
For jarring images that vividly reminded readers that the people of Iraq still live with the horrors of a war that many Americans have forgotten.
Nominated Work
Winners
Prize Winner in Breaking News Photography in 2017:
Daniel Berehulak, freelance photographer
For powerful storytelling through images published in The New York Times showing the callous disregard for human life in the Philippines brought about by a government assault on drug dealers and users. (Moved into this category from Feature Photography by the nominating jury.)
Breaking News Photography
Finalists
Nominated as finalists in Breaking News Photography in 2017:
Jonathan Bachman, freelance photographer
For an iconic image, published by Reuters, of one woman’s simple but stout-hearted stand during a protest in Baton Rouge over the shooting by the police of a 37-year-old black man.
The Jury
The Jury
Sherman Williams(Chair)
Assistant Managing Editor/Visual Journalism
Andrea Bruce
Photographer
David Hume Kennerly*
Photographer
Michele McDonald
Photo Editor
Deb Pastner
Director of Photography/Multimedia
Winners in Breaking News Photography
Mauricio Lima, Sergey Ponomarev, Tyler Hicks and Daniel Etter
For photographs that captured the resolve of refugees, the perils of their journeys and the struggle of host countries to take them in.
Photography Staff
For powerful images of the despair and anger in Ferguson, MO, stunning photojournalism that served the community while informing the country.
Tyler Hicks
For his compelling pictures that showed skill and bravery in documenting the unfolding terrorist attack at Westgate mall in Kenya.
Rodrigo Abd, Manu Brabo, Narciso Contreras, Khalil Hamra and Muhammed Muheisen
For their compelling coverage of the civil war in Syria, producing memorable images under extreme hazard.
2017 Prize Winners
C. J. Chivers
For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.
Peggy Noonan
For rising to the moment with beautifully rendered columns that connected readers to the shared virtues of Americans during one of the nation’s most divisive political campaigns.
Hilton Als
For bold and original reviews that strove to put stage dramas within a real-world cultural context, particularly the shifting landscape of gender, sexuality and race.
Art Cullen
For editorials fueled by tenacious reporting, impressive expertise and engaging writing that successfully challenged powerful corporate agricultural interests in Iowa.

















