'Extreme Planning and Coordination': Dennis Wagner on 'The Wall'
The 'daunting and spectacular' Arizona Republic/USA Today Network project on the proposed Mexican border wall encompassed 'liberating opportunities and difficult choices.'
Back Story
Martyna Majok on Living Through Chernobyl, and Writing About Betrayal and Loss with Humor
The first theater the playwright saw live was 'Cabaret' with John Stamos. She learned about the show from a pamphlet her mother brought back from a housekeeping job, and bought the ticket with money earned hustling at the pool hall. 'What I Ioved most was that the characters seemed like a family,' she said.
Ryan Kelly: 'The Day of the March Was Probably the Most Fear I’d Ever Had'
The photojournalist who took one of the most striking images of 2017 discusses how that fateful day in Charlottesville unfolded for him, and why he has taken a step back from journalism.
Andie Dominick's Passion for Iowa
The 2018 Editorial Writing winner discusses why the privatization of Medicaid will be a major issue at her state's polls this November, how her own health issues affect her writing, and the Mollie Tibbetts case.
Michael Sloan's Pulitzer-Winning Comic Was His First 'Journalism'
'I never consider myself a journalist, I consider myself an illustrator.'
Jake Halpern on Collaboration — and Getting the Pulitzer Call at the Airport
'In my mind what always makes the most powerful story, is a small personal story with a high dramatic stake.'
How a Small Newspaper Took on a Big Fire
Wildfire once again is ravaging California. This spring, the Santa Rosa Press Democrat won a Pulitzer for its coverage of the Tubbs fire, which consumed the homes of 5,000 people. Executive Editor Catherine Barnett describes how the paper marshaled its resources to keep its community informed.
A Forgotten Review of Robert Frost’s 'New Hampshire'
A treasured copy of the 1924 Poetry winner revealed a unique historical artifact.
Commentary Winner John Archibald on the 'Alabama-fication of America'
The Alabama Media Group writer talks with Katti Gray on how issues facing the state he loves mirror the cultural and political conflicts across America.
Q&A: 2018 Feature Writing Winner Rachel Kaadzi Ghansah
'The writing process was long, and the reason it felt long was because at the time, there were moments when I couldn’t continue, when it was very intense,' Ghansah said.
