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For distinguished musical composition by an American that has had its first performance or recording in the United States during the year, Fifteen thousand dollars ($15,000).

Voiceless Mass, by Raven Chacon

Premiered on November 21, 2021 in Milwaukee, Wis., a mesmerizing, original work for organ and ensemble that evokes the weight of history in a church setting, a concentrated and powerful musical expression with a haunting visceral impact.

Raven Chacon accepts the 2022 Pulitzer Prize for Music from Columbia University President Lee Bollinger. (Eileen Barroso/Columbia University)

Winning Work

Voiceless Mass

Voiceless Mass is a large ensemble work commissioned by WI Conference of the United Church of Christ, Plymouth Church UCC, and Present Music and composed specifically for the Nichols & Simpson organ at The Cathedral of St. John the Evangelist in Milwaukee, Wisconsin but can be performed in any space of worship with high ceilings and pipe organ.

The composition was a site-specific commission to utilize the organ for Present Music's annual Thanksgiving concert. As an Indigenous artist, I make a point not to present my work on this holiday, but in this case I made an exception.

This work considers the spaces in which we gather, the history of access of these spaces, and the land upon which these buildings sit. Though ‘mass’ is referenced in the title, the piece contains no audible singing voices, instead using the openness of the large space to intone the constricted intervals of the wind and string instruments. In exploiting the architecture of the cathedral, Voiceless Mass considers the futility of giving voice to the voiceless, when ceding space is never an option for those in power.

-- from the entry questionnaire

Biography

Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with Postcommodity, Chacon has exhibited or performed at Whitney Biennial, documenta 14, REDCAT, Haus der Kulturen der Welt, Borealis Festival, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project (NACAP). He is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy’s Berlin Prize for Music Composition, and the Pew Fellowship. He lives in Albuquerque, NM.

Finalists

Nominated as finalists in Music in 2022:

Andy Akiho

Premiered on December 3, 2021 by Sandbox Percussion at Emerald City Music in Seattle, Wash., an ambitious extension of traditional American percussion writing that, in 11 movements, combines sensuous timbres, an agile command of rhythm, and a wide span of international influences.

Anne Leilehua Lanzilotti

Premiered on August 6, 2021 at the Tenri Cultural Institute in New York, N.Y., a vibrant composition, inspired by works in The Contemporary Museum in Honolulu, that distinctly combines experimental string textures and episodes of melting lyricism.

The Jury

Alex Ross(Chair)

Music Critic, The New Yorker

John Luther Adams*

Composer, New Mexico

Du Yun*

Composer, New York City

Tania León*

Composer, Conductor and Educator, Nyack, N.Y.

Patrice Rushen

Jazz Pianist, Composer and Educator, Los Angeles, Calif.

Winners in Music

Tania León

Premiered at David Geffen Hall, Lincoln Center, New York City on February 13, 2020, a musical journey full of surprise, with powerful brass and rhythmic motifs that incorporate Black music traditions from the US and the Caribbean into a Western orchestral fabric.

Anthony Davis

Premiered on June 15, 2019 at the Long Beach Opera, a courageous operatic work, marked by powerful vocal writing and sensitive orchestration, that skillfully transforms a notorious example of contemporary injustice into something empathetic and hopeful. Libretto by Richard Wesley.

Ellen Reid

A bold new operatic work that uses sophisticated vocal writing and striking instrumental timbres to confront difficult subject matter: the effects of sexual and emotional abuse. Libretto by Roxie Perkins. Prism was commissioned and produced by Beth Morrison Projects in association with Trinity Wall Street, presented in a rolling world premiere with LA Opera and the PROTOTYPE Festival.

Kendrick Lamar

Recording released on April 14, 2017, a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life.

2022 Prize Winners

Jennifer Senior of The Atlantic

For an unflinching portrait of a family’s reckoning with loss in the 20 years since 9/11, masterfully braiding the author's personal connection to the story with sensitive reporting that reveals the long reach of grief.