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Finalist: Here There Are Blueberries, by Moisés Kaufman and Amanda Gronich

An elegant and harrowing work of documentary theater that examines the provenance of a photo album from Auschwitz and probes the unsolvable mystery of how individuals can insist on normalcy while atrocity lurks outside the frame.

Nominated Work

Here There Are Blueberries

Official production trailer. (Shakespeare Theatre Company)

A GRIPPING EXPOSÉ …Made compellingly theatrical by the virtuosic visual instincts of director Moisés Kaufman.” –The Washington Post

SIMPLY RIVETING.” –BroadwayWorld

BRILLIANT…Hands down, the best play I’ve seen this season.” –MD Theatre Guide

MESMERIZING…An enthralling masterpiece.” –K Street Magazine

DEEPLY MOVING…One of the most impressive works I’ve seen on stage.” –DC Trending

Tectonic Theater Project’s

HERE THERE ARE BLUEBERRIES

By Moisés Kaufman and Amanda Gronich
Conceived & Directed by Moisés Kaufman
Devised with Scott Barrow, Amy Marie Seidel, Frances Uku, Grant James Varjas, and the Members of Tectonic Theater Project

Here There Are Blueberries is the winner of the 2022 Theater J Trish Vradenburg Jewish Play Prize.

Please note: The production runs 90 minutes with no intermission.

A mysterious album of never before seen Nazi-era photographs arrives at the desk of United States Holocaust Memorial Museum archivist Rebecca Erbelding. As Rebecca and her team of historians begin to unravel the shocking story behind the images, the album soon makes headlines around the world. In Germany, a businessman sees the album online, recognizes his own grandfather in the photos, and begins a journey of discovery that will lead him to a reckoning of his family’s past and his country’s history.

Here There Are Blueberries tells the story of these photographs – what they reveal about the perpetrators of the Holocaust, and about our own humanity.

-- from the Shakespeare Theatre Company’s production page

Biography

Moisés Kaufman was awarded the 2015 National Medal of Arts by President Barack Obama for “his powerful contribution to American Theater.” A Hispanic immigrant, Moisés is a playwright, director, and the founder of Tectonic Theater Project. In recognition of his contributions to the theater and to international conversations about social justice, he has received numerous professional and humanitarian honors including an Obie Award, a Drama Desk Award, a 2002 Guggenheim Fellowship in Playwriting and the 2002 Humanitas Prize. He has also been nominated for the Tony Award for his play 33 Variations and an Emmy Award for his film adaptation of The Laramie Project.

Moisés was born in Caracas, Venezuela, in 1963, moved to New York City in 1987 to complete his education at New York University and shortly after founded Tectonic Theater Project.

For Tectonic Moisés wrote his first play: Gross Indecency: The Three Trials of Oscar Wilde, which ran Off-Broadway for a year and a half. Gross Indecency received the Lucille Lortel Award for Best Play and the Outer Critics Circle Award for Best Off-Broadway Play.

While Gross Indecency was running, Matthew Shepard, a young gay student at the University of Wyoming in Laramie, was killed. Moisés and several members of Tectonic traveled to Laramie to conduct interviews with the people of the town. From these interviews, they wrote the play The Laramie Project. TIME called Laramie “one of the 10 best plays of 2000,” and it was recently selected by the New York Times as one of their “25 Best American Plays Since ‘Angels in America’.” It remains among the most performed plays in the United States each year. In 2002, Moisés co-wrote and directed HBO’s film adaptation of the play which garnered four Emmy Award nominations, including Best Writer and Best Director.

Since then, his writing credits include 33 Variations (which he directed on Broadway with Jane Fonda in 2009), The Laramie Project: Ten Years Later (2008), One Arm (2011), an Afro-Cuban adaptation of the opera Carmen (2013-2016), Las Aventuras de Juan Planchard, a bilingual play about his native Venezuela (2023), and Here There Are Blueberries.

Moisés is also a dedicated teacher. Since 2000, he and Tectonic’s teaching artists have been sharing the company’s techniques in lectures, training labs, and educational residencies. In 2018, he co-wrote Moment Work: Tectonic Theater Project’s Process of Devising Theater (Vintage), a comprehensive introduction to his theatrical principles and the company’s creative tools.

On Broadway, Moisés directed Paradise Square, which garnered 10 Tony Award nominations, the Broadway revival of Harvey Fierstein’s Torch Song, the revival of The Heiress with Jessica Chastain, the Tony-nominated 33 Variations with Jane Fonda, Rajiv Joseph’s Pulitzer Prize finalist Bengal Tiger at the Baghdad Zoo with Robin Williams, and Doug Wright’s Pulitzer- and Tony Award-winning I Am My Own Wife with Jefferson Mays.

Other directing credits include Here There Are Blueberries, Seven Deadly Sins (Drama Desk Award for Unique Theatrical Experience), One Arm, The Tallest Tree in the Forest with Daniel Beaty, The Nightingale, The Common Pursuit, Macbeth in Central Park with Liev Schreiber, This Is How It Goes at the Donmar Warehouse with Idris Elba, El Gato con Botas, Master Class with Rita Moreno, and Into the Woods. Kaufman is actively developing other new works including Treatment & Data (about the activist group ACT-UP and the fight to find a cure for AIDS), and a solo show co-created and performed by renowned drag queen and performance artist Sasha Velour.

Amanda Gronich is an Emmy-nominated documentary scriptwriter who has devoted her career to bringing true stories to the stage and screen.

Born and raised in New York City, Amanda received a BA in Drama from Tisch School of the Arts at New York University. Soon after, she joined Tectonic Theater Project as a charter member and became captivated by interview-based storytelling. Amanda was one of the group of artists who traveled to Laramie, Wyoming to co-create (based on 200+ interviews) The Laramie Project, later made into an HBO film. She directed the company's Toronto production of Gross Indecency: The Three Trials of Oscar Wilde. Most recently at Tectonic, Amanda co-authored Here There Are Blueberries (La Jolla Playhouse, Shakespeare Theatre Company DC, New York Theatre Workshop 2024).

In addition to her work in theater, Amanda pursued a prolific, decade-long career in documentary television. She joined the award-winning production team at National Geographic Television as a lead series writer. Prior to that, Amanda was the Supervising Senior Writer at Hoff Productions, where for many seasons she oversaw the company’s entire staff of writers and all scripting. In this role, Amanda created, wrote and story-consulted on top-rated series and specials for diverse national broadcast networks, including National Geographic, Animal Planet, WeTV, Travel Channel and TLC. Her work has also been seen internationally, with her programs receiving some of the highest ratings in their timeslots overseas.

Throughout, Amanda committed herself to inspiring new generations of playwrights to create groundbreaking documentary storytelling, bringing unheard voices to the stage. While teaching as an Adjunct Lecturer in the Graduate Program in Educational Theatre at the City College of New York, Amanda developed a unique method for generating interview- and research-based dramas. She is at work founding a documentary theater development institute to expand these techniques. In addition, a book about her original play-devising methods will be released by Southern Illinois University Press.

Amanda currently works as a playwright and script consultant. She is developing a new documentary musical about a family coping with a rare genetic condition. She plans to continue working in the under-explored field of interview-based musicals.

Winners

Prize Winner in Drama in 2024:

Eboni Booth

A simple and elegantly crafted story of an emotionally damaged man who finds a new job, new friends and a new sense of worth, illustrating how small acts of kindness can change a person’s life and enrich an entire community. Drama

Finalists

Nominated as finalists in Drama in 2024:

Shayok Misha Chowdhury

A densely written, deeply-felt drama that examines identity, home, queerness, and language through the lens of a Bengali American reuniting with his family in India.

The Jury

Janice Simpson(Chair)

Former Director, Arts Journalism Program, Craig Newmark Graduate School of Journalism at CUNY

Lisa Fung

Writer, Los Angeles & New York City

Lily Janiak

Theater Critic, San Francisco Chronicle

Tracy Letts*

Playwright, Bedford, N.Y.

Chay Yew

Stage Director/Playwright, New York City

Winners in Drama

Sanaz Toossi

A quietly powerful play about four Iranian adults preparing for an English language exam in a storefront school near Tehran, where family separations and travel restrictions drive them to learn a new language that may alter their identities and also represent a new life.

James Ijames

A funny, poignant play that deftly transposes "Hamlet" to a family barbecue in the American South to grapple with questions of identity, kinship, responsibility, and honesty.

Katori Hall

A funny, deeply felt consideration of Black masculinity and how it is perceived, filtered through the experiences of a loving gay couple and their extended family as they prepare for a culinary competition.

Michael R. Jackson

A metafictional musical that tracks the creative process of an artist transforming issues of identity, race, and sexuality that once pushed him to the margins of the cultural mainstream into a meditation on universal human fears and insecurities.

2024 Prize Winners

Staff of Reuters

For an eye-opening series of accountability stories focused on Elon Musk’s automobile and aerospace businesses, stories that displayed remarkable breadth and depth and provoked official probes of his companies’ practices in Europe and the United States.