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For a distinguished play by an American author, preferably original in its source and dealing with American life, Fifteen thousand dollars ($15,000).

Fat Ham, by James Ijames

A funny, poignant play that deftly transposes "Hamlet" to a family barbecue in the American South to grapple with questions of identity, kinship, responsibility, and honesty.

James Ijames accepts the 2022 Pulitzer Prize for Drama from Columbia University President Lee Bollinger. (Eileen Barroso/Columbia University)

Winning Work

Fat Ham

Official trailer. (Wilma Theater)

A witty take on Shakespeare’s Hamlet where the only death is the patriarchy.

The ghost of Juicy’s dad haunts him and asks for revenge – on Juicy’s uncle, who has now married his widowed mom. Sound familiar? Yes, but… 

Fat Ham is a filmed production of an exciting new play by Wilma Co-Artistic Director James Ijames (Kill Move Paradise). It centers a Black, queer discovery of self, softness, and resilience … at a cookout in the South.

-- from the Wilma Theater's production page

Critically-acclaimed playwright James Ijames reinvents Shakespeare’s masterpiece with his new drama, Fat Ham. Juicy is a queer, Southern college kid, already grappling with some serious questions of identity, when the ghost of his father shows up in their backyard, demanding that Juicy avenge his murder. It feels like a familiar story to Juicy, well-versed in Hamlet’s woes. What’s different is Juicy himself, a sensitive and self-aware young Black man trying to break the cycles of trauma and violence in service of his own liberation. From an uproarious family barbecue emerges a compelling examination of love and loss, pain and joy. Fat Ham is a delectable comic tragedy directed by The Public’s Associate Artistic Director Saheem Ali.

-- from the Public Theater's production page

Biography

James Ijames is a playwright, director and educator. 

James’ plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago) Shotgun Players (Berkeley) and have received development with PlayPenn New Play Conference, The Lark, Playwright's Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden. 

James is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. James is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ....Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize and the 2022 Pulitzer Prize in Drama recipient.

James was a founding member of Orbiter 3, Philadelphia’s first playwright producing collective. 

He received a B.A. in Drama from Morehouse College in Atlanta, GA and a M.F.A. in Acting from Temple University in Philadelphia, PA. James is an Associate Professor of Theatre at Villanova University. He resides in South Philadelphia. 

Finalists

Nominated as finalists in Drama in 2022:

Kristina Wong

A humorous and moving performance piece detailing how the author became the founder of a homemade face mask operation in the early months of the COVID epidemic, reflecting on the significance of women of color performing an historically gendered and racialized form of labor at a time of rising anti-Asian bigotry.

Sylvia Khoury

A riveting portrait of an Afghan family under extreme wartime duress that explores the agonizing personal choices and human costs of those who aided the effort in Afghanistan at their own peril.

The Jury

Misha Berson(Chair)

Freelance Arts Writer and Former Drama Critic, The Seattle Times

David John Chávez

Chair, American Theatre Critics Association; Correspondent, San Jose Mercury News

Branden Jacobs-Jenkins

Playwright and Associate Professor of Practice in Playwriting, University of Texas at Austin

Alisa Solomon

Professor of Journalism and Director in Arts Concentration, MA Program in Journalism, Columbia University

Robert Weinert-Kendt

Editor-in-Chief, American Theatre

Winners in Drama

Katori Hall

A funny, deeply felt consideration of Black masculinity and how it is perceived, filtered through the experiences of a loving gay couple and their extended family as they prepare for a culinary competition.

Michael R. Jackson

A metafictional musical that tracks the creative process of an artist transforming issues of identity, race, and sexuality that once pushed him to the margins of the cultural mainstream into a meditation on universal human fears and insecurities.

Jackie Sibblies Drury

A hard-hitting drama that examines race in a highly conceptual, layered structure, ultimately bringing audiences into the actors’ community to face deep-seated prejudices.

Martyna Majok

An honest, original work that invites audiences to examine diverse perceptions of privilege and human connection through two pairs of mismatched individuals: a former trucker and his recently paralyzed ex-wife, and an arrogant young man with cerebral palsy and his new caregiver.

2022 Prize Winners

Jennifer Senior of The Atlantic

For an unflinching portrait of a family’s reckoning with loss in the 20 years since 9/11, masterfully braiding the author's personal connection to the story with sensitive reporting that reveals the long reach of grief.