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Finalist: Imagine Me Gone, by Adam Haslett (Little, Brown)

For the quiet and compassionate saga of a family whose world is shaped by mental illness and the challenges and joys of caring for each other.

Nominated Work

Imagine Me Gone

When Margaret's fiancé, John, is hospitalized for depression in 1960s London, she faces a choice: carry on with their plans despite what she now knows of his condition, or back away from the suffering it may bring her. She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody. Over the span of decades, his younger siblings -- the savvy and responsible Celia and the ambitious and tightly controlled Alec -- struggle along with their mother to care for Michael's increasingly troubled and precarious existence. 
 
Told in alternating points of view by all five members of the family, this searing, gut-wrenching, and yet frequently hilarious novel brings alive with remarkable depth and poignancy the love of a mother for her children, the often inescapable devotion siblings feel toward one another, and the legacy of a father's pain in the life of a family. 
 
With his striking emotional precision and lively, inventive language, Adam Haslett has given us something rare: a novel with the power to change how we see the most important people in our lives. 
 
-- from the publisher

Biography

Adam Haslett is the author of the short story collection You Are Not a Stranger Here, which was a Pulitzer Prize and National Book Award finalist, and the novel Union Atlantic, winner of the Lambda Literary Award and finalist for the Commonwealth Prize. His books have been translated into eighteen languages, and he is the recipient of the Strauss Living award from the American Academy of Arts and Letters, the Berlin Prize from the American Academy in Berlin, the PEN/Malamud Award, and fellowships from the Guggenheim and Rockefeller foundations. He lives in New York City.

Winners

Prize Winner in Fiction in 2017:

Colson Whitehead

For a smart melding of realism and allegory that combines the violence of slavery and the drama of escape in a myth that speaks to contemporary America. Fiction

Finalists

Nominated as finalists in Fiction in 2017:

C. E. Morgan

For a daring novel that explores race, the burden of history and other themes of American life on a vast and imaginative canvas.

The Jury

Eric Banks(Chair)

Director

Lan Samantha Chang

Director and May Brodbeck Professor of Liberal Arts and Sciences

Mary Ann Gwinn*

Book Editor

Winners in Fiction

Viet Thanh Nguyen

A layered immigrant tale told in the wry, confessional voice of a "man of two minds" -- and two countries, Vietnam and the United States.

Anthony Doerr

An imaginative and intricate novel inspired by the horrors of World War II and written in short, elegant chapters that explore human nature and the contradictory power of technology.

Donna Tartt

A beautifully written coming-of-age novel with exquisitely drawn characters that follows a grieving boy's entanglement with a small famous painting that has eluded destruction, a book that stimulates the mind and touches the heart.

Adam Johnson

An exquisitely crafted novel that carries the reader on an adventuresome journey into the depths of totalitarian North Korea and into the most intimate spaces of the human heart.

2017 Prize Winners

C. J. Chivers

For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.

Peggy Noonan

For rising to the moment with beautifully rendered columns that connected readers to the shared virtues of Americans during one of the nation’s most divisive political campaigns.

Hilton Als

For bold and original reviews that strove to put stage dramas within a real-world cultural context, particularly the shifting landscape of gender, sexuality and race.

Art Cullen

For editorials fueled by tenacious reporting, impressive expertise and engaging writing that successfully challenged powerful corporate agricultural interests in Iowa.