Skip to main content
For a distinguished portfolio of editorial cartoons or other illustrated work (still, animated, or both) characterized by political insight, editorial effectiveness, or public service value, Fifteen thousand dollars ($15,000).

Medar de la Cruz, contributor, The New Yorker

For his visually-driven story set inside Rikers Island jail using bold black-and-white images that humanize the prisoners and staff through their hunger for books.

Medar de la Cruz (right) accepts the 2024 Pulitzer Prize for Illustrated Reporting and Commentary from Columbia University Interim President Katrina Armstrong. (David Dini/The Pulitzer Prizes)

Winning Work

Biography

Medar de la Cruz is a Dominican-American cartoonist and illustrator born in Miami, Florida, and currently residing in Brooklyn, New York. He graduated with a degree in illustration from Art Center College of Design, in Pasadena, California, and has worked as a freelance illustrator for The New York Times and The New Yorker. Beyond the drawing board, Medar contributes part-time to the Outreach Department at the Brooklyn Public Library, where he provides book cart services to incarcerated individuals on Rikers Island. This experience has motivated him to explore the role of journalism in his autobiographical comics. Currently, Medar is working on a graphic novel about his experiences on Rikers to offer insights into spaces that are otherwise inaccessible to the public. In addition to drawing comics, he serves as an educator, sharing his passion for visual communication through community workshops across the city.

Finalists

Nominated as finalists in Illustrated Reporting and Commentary in 2024:

Angie Wang, contributor, The New Yorker

For a vivid illustrated journey with her toddler that explains how human language learning can never be supplanted by AI.

Claire Healy, Nicole Dungca and Ren Galeno, contributor, of The Washington Post

For masterful and sensitive use of the comic form to reveal the story of a great injustice to a group of Filipinos exhibited at the 1904 World’s Fair in St. Louis, where some of them died.

Clay Bennett of the Chattanooga Times Free Press

For a portfolio of deceptively gentle, mostly wordless cartoons full of juxtapositions that ably communicate complex, sophisticated messages.

The Jury

Shazna Nessa(Chair)

Independent Journalist, New York City

Kainaz Amaria

National Visual Enterprise Editor, The Washington Post

Kevin Siers*

Freelance Cartoonist, Salisbury, Md.

Michael Sloan*

Illustrator and Cartoonist, New Haven, Conn.

Aki Soga

Executive Editor, Burlington (Vt.) Free Press

Winners in Illustrated Reporting and Commentary

2024 Prize Winners

Staff of Reuters

For an eye-opening series of accountability stories focused on Elon Musk’s automobile and aerospace businesses, stories that displayed remarkable breadth and depth and provoked official probes of his companies’ practices in Europe and the United States.