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Barry Blitt, contributor, The New Yorker

For work that skewers the personalities and policies emanating from the Trump White House with deceptively sweet watercolor style and seemingly gentle caricatures.

Barry Blitt accepts the 2020 Pulitzer Prize for Editorial Cartooning from Columbia University President Lee Bollinger. (Jose Lopez/The Pulitzer Prizes)

Winning Work

March 4, 2019

June 3, 2019

October 7, 2019

February 28, 2019

March 25, 2019

April 18, 2019

June 7, 2019

June 13, 2019

July 24, 2019

August 12, 2019

August 16, 2019

August 24, 2019

August 25, 2019

August 30, 2019

September 5, 2019

November 1, 2019

November 15, 2019

November 26, 2019

December 6, 2019

December 31, 2019

Biography

Barry Blitt is a cartoonist and an illustrator. Since 1992, he has contributed illustrations and more than a hundred covers to The New Yorker, including “Deluged,” which was voted Cover of the Year by the American Society of Magazine Editors in 2006, and “The Politics of Fear,” a finalist for the same award in 2009. His work has also appeared in Vanity Fair, Time, Rolling Stone, and The Atlantic, and he illustrated Frank Rich’s weekly column in the New York Times. He has been honored with exhibitions and awards from the Society of Illustrators, Print, and American Illustration, and is a member of the Art Directors Club Hall of Fame. His work for children includes “George Washington’s Birthday” and “Once Upon a Time, the End (Asleep in 60 Seconds).” His latest book,“Blitt,” is a compilation of his illustrations for The New Yorker, the Times, Vanity Fair, and other publications.

Finalists

Nominated as finalists in Editorial Cartooning in 2020:

Kevin Kallaugher, freelancer

For combining classically beautiful cartoon art and incisive wit to create a striking portfolio addressing the Trump administration, international affairs and local Baltimore politics.

Lalo Alcaraz, freelancer

For irreverent and poignant cartoon commentary focused on local and national issues from a distinctly Latinx perspective.

Matt Bors of The Nib

For cartoons that sliced through the hypocrisy of the Trump presidency, as well as the blind spots of moderate Democrats in a distinct, contemporary style.

The Jury

Martha Carr(Chair)

Managing Editor, The Times-Picayune | The New Orleans Advocate

Darrin Bell*

Syndicated Cartoonist, Sacramento, CA

Suzette Hackney

Director of Opinion and Community Engagement, The Indianapolis Star

Jack Ohman*

Editorial Cartoonist, The Sacramento Bee

Signe Wilkinson*

Editorial Cartoonist, Philadelphia, PA

Winners in Editorial Cartooning

Darrin Bell, freelancer

For beautiful and daring editorial cartoons that took on issues affecting disenfranchised communities, calling out lies, hypocrisy and fraud in the political turmoil surrounding the Trump administration.

Jim Morin

For editorial cartoons that delivered sharp perspectives through flawless artistry, biting prose and crisp wit.

Jack Ohman

For cartoons that convey wry, rueful perspectives through sophisticated style that combines bold line work with subtle colors and textures.

2020 Prize Winners

Nikole Hannah-Jones of The New York Times

For a sweeping, provocative and personal essay for the ground-breaking 1619 Project, which seeks to place the enslavement of Africans at the center of America’s story, prompting public conversation about the nation’s founding and evolution.

Christopher Knight of the Los Angeles Times

For work demonstrating extraordinary community service by a critic, applying his expertise and enterprise to critique a proposed overhaul of the L.A. County Museum of Art and its effect on the institution’s mission.