Finalist: Matt Bors of The Nib
For cartoons that sliced through the hypocrisy of the Trump presidency, as well as the blind spots of moderate Democrats in a distinct, contemporary style.
Nominated Work
Biography
Matt Bors is the editor and cartoonist based in Portland, Oregon. His work has appeared in The Nation, The Guardian, The Village Voice, and dozens of other print and web publications, many now defunct due to the vagaries or the market. He was a 2012 Pulitzer Prize Finalist and Herblock Prize winner for his political cartoons, which were collected in the book Life Begins at Incorporation. He also drew the graphic novel War Is Boring with author David Axe. In 2013 he founded The Nib, a publication for political and non-fiction cartooning that has expanded into an award-winning print magazine.
Winners
Prize Winner in Editorial Cartooning in 2020:
Barry Blitt, contributor, The New Yorker
For work that skewers the personalities and policies emanating from the Trump White House with deceptively sweet watercolor style and seemingly gentle caricatures.
Editorial Cartooning
Finalists
Nominated as finalists in Editorial Cartooning in 2020:
Kevin Kallaugher, freelancer
For combining classically beautiful cartoon art and incisive wit to create a striking portfolio addressing the Trump administration, international affairs and local Baltimore politics.
Lalo Alcaraz, freelancer
For irreverent and poignant cartoon commentary focused on local and national issues from a distinctly Latinx perspective.
The Jury
The Jury
Martha Carr(Chair)
Managing Editor, The Times-Picayune | The New Orleans Advocate
Darrin Bell*
Syndicated Cartoonist, Sacramento, CA
Suzette Hackney
Director of Opinion and Community Engagement, The Indianapolis Star
Jack Ohman*
Editorial Cartoonist, The Sacramento Bee
Signe Wilkinson*
Editorial Cartoonist, Philadelphia, PA
Winners in Editorial Cartooning
Darrin Bell, freelancer
For beautiful and daring editorial cartoons that took on issues affecting disenfranchised communities, calling out lies, hypocrisy and fraud in the political turmoil surrounding the Trump administration.
Jake Halpern, freelance writer, and Michael Sloan, freelance cartoonist, The New York Times
For an emotionally powerful series, told in graphic narrative form, that chronicled the daily struggles of a real-life family of refugees and its fear of deportation.
Jim Morin
For editorial cartoons that delivered sharp perspectives through flawless artistry, biting prose and crisp wit.
Jack Ohman
For cartoons that convey wry, rueful perspectives through sophisticated style that combines bold line work with subtle colors and textures.
2020 Prize Winners
Nikole Hannah-Jones of The New York Times
For a sweeping, provocative and personal essay for the ground-breaking 1619 Project, which seeks to place the enslavement of Africans at the center of America’s story, prompting public conversation about the nation’s founding and evolution.
Christopher Knight of the Los Angeles Times
For work demonstrating extraordinary community service by a critic, applying his expertise and enterprise to critique a proposed overhaul of the L.A. County Museum of Art and its effect on the institution’s mission.
Jeffery Gerritt of the Palestine (Tx.) Herald-Press
For editorials that exposed how pre-trial inmates died horrific deaths in a small Texas county jail—reflecting a rising trend across the state—and courageously took on the local sheriff and judicial establishment, which tried to cover up these needless tragedies.
Staff of The Washington Post
For a groundbreaking series that showed with scientific clarity the dire effects of extreme temperatures on the planet.
















