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Finalist: Jim is Still Crowing, by Jalalu-Kalvert Nelson

Premiered on February 8, 2024 at Roulette Intermedium, Brooklyn, N.Y., a series of musical scenes, each using a variety of techniques and textures to convey the ongoing battle against second-class citizenship for Black and Brown people and their struggle for acceptance, a challenging and meaningful work.

Nominated Work

Jim is Still Crowing

Full Brooklyn premiere performance with Broken Frames Syndicate. (Roulette Intermedium)

Jim Crow laws were a collection of state and local statutes that legalized racial segregation. Named after a Black minstrel show character, these laws, which existed from the post-Civil War era until 1968, were meant to marginalize African Americans by denying them the right to vote, to hold jobs, to get an education, or to access other opportunities. Those who attempted to defy Jim Crow laws often faced arrests, fines, jail sentences, violence, and death. The roots of Jim Crow began as early as 1865, immediately following the 13th Amendment, which abolished slavery in the United States. “Black Codes” were strict local and state laws that detailed when, where, and how formerly enslaved people could work, and for how much compensation. Where voting rights were taken away, they were placed in indentured servitude. These laws also controlled where they could live.

In the present-day United States, many states are putting in place tighter voting restrictions, which largely affect African American voters. A new Jim Crow, which is against minority voters, is rising. So this has once gain become a struggle in 21st-century America.

This work, in ten brief sections, is a musical reflection on the state of voting rights in America. Each section reflects a different thought on this idea. The solo trumpet serves as a commentator and reflector on the musical ensemble.

-- from Composers Edition score page

Biography

Jalalu-Kalvert Nelson was born in Oklahoma City, Oklahoma in 1951. He studied composition at Indiana University with John Eaton and Iannis Xenakis, and with Gunther Schuller and Jacob Druckman at the Berkshire Music Centre, Tanglewood. In 1974, he was awarded the first John W. work III Composition Fellowship. He has received grants from the National Endowment for the Arts, Composers Fellowship, Fonds Voor Skeppende Toon Kunst, Amsterdams Fonds Voor Kunst, (Holland), Foundation for Contemporary Arts, New York, New York Foundation for the Arts, Meet The Composer Grants, Composer Grants City of Biel, Switzerland, Ernst Goehner Foundation, Lovedo Foundation, among others.
He has received commissions from the Kronos Quartet, Dale Warland Singers, Oklahoma City Symphony, SUISA, Orchestra of Our Time, Accordionist, Teodoro Anzilotti, The Readers Digest/Meet The Composer Commissioning Program, The South West German Radio Orchestra, Baden-Baden-Freiburg, The Madblaster String Quartet, The Grow String Quartet, Wolf/Tone (vln, bsn, duett), Pro Helvetia, SUISA, Studio Ensemble Dan, Vienna, Broken Frames Syndicate, for "Jim Is Still Crowing".

On October 25th 2024, his Prelude no. 1 for solo cello, received its American premiere at the Museum of Modern Art, in New York with the ensemble ICE.

Nelson's most recent commission is from the Luzern Symphony Orchestra, to create a work for orchestra, youth voices, and youth music ensembles. This work "The New Spring" will premiere in May 11th. 2025, at the KKL in Luzern Switzerland, with Nelson as trumpet soloist and conductor.

He also has a commission from the New European Music ensemble from Den Haag and Contrechamps, Geneva, to compose a new work to be premiered in 2026.

His new semi-autobiographical music theater work, "VOICESBETWEENTHESHADOWSBETWEENTHEVOICES", will premiere in Vienna, in September 2026.

Winners

Prize Winner in Music in 2025:

Susie Ibarra

Premiered on July 18, 2024 at the Asia Society, New York, N.Y., a work about ecosystems and biodiversity, that challenges the notion of the compositional voice by interweaving the profound musicianship and improvisational skills of a soloist as a creative tool. Music

Finalists

Nominated as finalists in Music in 2025:

George Lewis

Premiered on June 14, 2024 at the Museum of Contemporary Art, Los Angeles, an ingenious pairing of works by W. E. B. Du Bois and Claudio Monteverdi that moves between the social corruption of ancient Rome and Jim Crow America, combining elements of chromaticism and a free jazz aesthetic. Libretto by Douglas Kearney.

The Jury

Arturo O’Farrill(Chair)

Founder/Artistic Director, Afro Latin Jazz Alliance; Professor, Global Jazz Studies, University of California, Los Angeles

Daphne A. Brooks

William R. Kenan, Jr. Professor of African American Studies, American Studies, Women’s, Gender, and Sexuality Studies, and Music, Yale University

Du Yun*

Composer/Performer; Professor of Composition, Peabody Institute, Johns Hopkins University

Guthrie Ramsey

Music Historian/Pianist/Composer; Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania

John Schaefer(Host, Soundcheck, WNYC)

Winners in Music

Tyshawn Sorey

Premiered on March 16, 2023 at Atlanta Symphony Hall, an introspective saxophone concerto with a wide range of textures presented in a slow tempo, a beautiful homage that’s quietly intense, treasuring intimacy rather than spectacle.

Rhiannon Giddens and Michael Abels

Premiered on May 27, 2022 at the Spoleto Festival USA in Charleston, S.C., an innovative and compelling opera about enslaved people brought to North America from Muslim countries, a musical work that respectfully represents African as well as African American traditions, expanding the language of the operatic form while conveying the humanity of those condemned to bondage.

Raven Chacon

Premiered on November 21, 2021 in Milwaukee, Wis., a mesmerizing, original work for organ and ensemble that evokes the weight of history in a church setting, a concentrated and powerful musical expression with a haunting visceral impact.

Tania León

Premiered at David Geffen Hall, Lincoln Center, New York City on February 13, 2020, a musical journey full of surprise, with powerful brass and rhythmic motifs that incorporate Black music traditions from the US and the Caribbean into a Western orchestral fabric.

2025 Prize Winners

Staff of The Wall Street Journal

For chronicling political and personal shifts of the richest person in the world, Elon Musk, including his turn to conservative politics, his use of legal and illegal drugs and his private conversations with Russian President Vladimir Putin.