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Finalist: In the Darkroom, by Susan Faludi (Metropolitan Books)

For an extraordinary familial study of history, religion and gender that becomes, in the end, a parable of understanding and forgiveness.

Nominated Work

In the Darkroom

“In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”

So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?

Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful—and virulent—nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.

Faludi’s struggle to come to grips with her father’s metamorphosis takes her across borders—historical, political, religious, sexual—to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?

-- from the publisher

Biography

Susan Faludi is a Pulitzer Prize–winning journalist and the author of The Terror Dream, Stiffed, and Backlash, which won the National Book Critics Circle Award for Nonfiction. A former reporter for The Wall Street Journal, she has written for The New Yorker, The New York Times, Harper’s, and The Baffler, among other publications.

Winners

Prize Winner in Biography in 2017:

Hisham Matar

For a first-person elegy for home and father that examines with controlled emotion the past and present of an embattled region. Biography

Finalists

Nominated as finalists in Biography in 2017:

the late Paul Kalanithi

For an elegant memoir of the author’s turn from gifted physician to terminal patient, told without a hint of bravado or self-pity.

The Jury

Gretchen Holbrook Gerzina(Chair)

Dean, Commonwealth Honors College and Paul Murray Kendall Professor of Biography

Megan Marshall*

Charles Wesley Emerson College Professor of Writing, Literature and Publishing

David M. Oshinsky*

Director, Division of Medical Humanities and Professor of History and Medicine

Winners in Biography

William Finnegan

A finely crafted memoir of a youthful obsession that has propelled the author through a distinguished writing career.

David I. Kertzer

An engrossing dual biography that uses recently opened Vatican archives to shed light on two men who exercised nearly absolute power over their realms.

Megan Marshall

A richly researched book that tells the remarkable story of a 19th century author, journalist, critic and pioneering advocate of women's rights who died in a shipwreck.

Tom Reiss

A compelling story of a forgotten swashbuckling hero of mixed race whose bold exploits were captured by his son, Alexander Dumas, in famous 19th century novels.

2017 Prize Winners

C. J. Chivers

For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.

Peggy Noonan

For rising to the moment with beautifully rendered columns that connected readers to the shared virtues of Americans during one of the nation’s most divisive political campaigns.

Hilton Als

For bold and original reviews that strove to put stage dramas within a real-world cultural context, particularly the shifting landscape of gender, sexuality and race.

Art Cullen

For editorials fueled by tenacious reporting, impressive expertise and engaging writing that successfully challenged powerful corporate agricultural interests in Iowa.