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Finalist: Deanna Pan and Jennifer Berry Hawes of The Post and Courier, Charleston, S.C.

For a deeply moving examination of racial injustice in South Carolina that led to the execution of a 14-year-old black boy wrongfully convicted of killing two white girls, and that ultimately exonerated him seven decades after his death.

Nominated Work

March 25, 2018

Biography

Deanna Pan was an enterprise reporter for The Post and Courier, where she wrote about education and other issues. She now works as a freelance writer in New York.

 

Jennifer Berry Hawes works on the newspaper's Watchdog and Public Service team focusing on investigations and long-form narratives. She has worked on the newspaper's staff for 15 years covering religion, healthcare and other beats. She led the newspaper's coverage of the Emanuel AME Church massacre and is completing a book about the tragedy with St. Martin's Press. It is due out June 4.

 

Winners

Prize Winner in Feature Writing in 2019:

Hannah Dreier of ProPublica

For a series of powerful, intimate narratives that followed Salvadoran immigrants on New York’s Long Island whose lives were shattered by a botched federal crackdown on the international criminal gang MS-13. Feature Writing

Finalists

Nominated as finalists in Feature Writing in 2019:

Elizabeth Bruenig of The Washington Post

For eloquent reflections on the exile of a teen sexual assault victim in the author’s Texas hometown, delving with moral authority into why the crime remained unpunished.

The Jury

Felecia D. Henderson(Chair)

Assistant Managing Editor/Features

Anne Fulenwider

Editor-in-Chief

Rachel Kaadzi Ghansah*

essayist and freelance reporter, Brooklyn, N.Y.

Jeffrey Goldberg

Editor in Chief

Ann Marie Lipinski*

Curator, Nieman Foundation

Peter Maass

Senior Editor

Mary Schmich*

Metro Columnist

Winners in Feature Writing

Rachel Kaadzi Ghansah, freelance reporter, GQ

For an unforgettable portrait of murderer Dylann Roof, using a unique and powerful mix of reportage, first-person reflection and analysis of the historical and cultural forces behind his killing of nine people inside Emanuel AME Church in Charleston, S.C.

C. J. Chivers

For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.

Kathryn Schulz

For an elegant scientific narrative of the rupturing of the Cascadia fault line, a masterwork of environmental reporting and writing.

Diana Marcum

For her dispatches from California's Central Valley offering nuanced portraits of lives affected by the state's drought, bringing an original and empathic perspective to the story.

2019 Prize Winners