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Finalist: Heroes of the Fourth Turning, by Will Arbery

A scrupulously hewn drama centering on four alumni of a conservative Catholic college who confront themselves and each other, clashing over theology, politics and personal responsibility.

Nominated Work

Heroes of the Fourth Turning

Official trailer.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. But as their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration than a vicious fight to be understood. On a chilly night in the middle of America, Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

-- From Playwrights Horizons' website

Biography

Will Arbery is a playwright from Texas + Wyoming + seven sisters. His plays include Heroes of the Fourth Turning (Playwrights Horizons), Plano (Clubbed Thumb), Evanston Salt Costs Climbing (New Neighborhood), Wheelchair (3 Hole Press). He’s currently under commission from Playwrights Horizons and Shadowcatcher Entertainment. He’s a member of New Dramatists, The Working Farm at SPACE on Ryder Farm, Page 73’s Interstate 73, Colt Coeur, Youngblood, and an alum of Clubbed Thumb’s Early Career Writers Group. His plays have been developed at Clubbed Thumb, Playwrights Horizons, NYTW, The Vineyard, SPACE on Ryder Farm, Ojai Playwrights Conference, Cape Cod Theater Project, The New Group, EST/Youngblood, The Bushwick Starr, Alliance/Kendeda, and Tofte Lake Center. Dance work: Pioneer Works, MCA Chicago, Watermill Center. MFA: Northwestern. BA: Kenyon College. willarbery.com

Winners

Prize Winner in Drama in 2020:

Michael R. Jackson

A metafictional musical that tracks the creative process of an artist transforming issues of identity, race, and sexuality that once pushed him to the margins of the cultural mainstream into a meditation on universal human fears and insecurities. Drama

Finalists

Nominated as finalists in Drama in 2020:

David Henry Hwang and Jeanine Tesori

A multi-layered and mischievous musical that deconstructs a beloved, original American art form to examine the promise and the limits of representation in both the theatrical and political senses of the word.

The Jury

Wendy Goldberg(Chair)

Artistic Director

Naveen Kumar

Writer/Editor, New York City

Dominic Papatola

Theater Critic, Pioneer Press, St. Paul, Minn.

Janice Simpson

Director, Arts and Culture Reporting, CUNY Craig Newmark Graduate School of Journalism

Alisa Solomon

Professor of Journalism and Director in Arts Concentration, MA Program in Journalism, Columbia University

Winners in Drama

Jackie Sibblies Drury

A hard-hitting drama that examines race in a highly conceptual, layered structure, ultimately bringing audiences into the actors’ community to face deep-seated prejudices.

Martyna Majok

An honest, original work that invites audiences to examine diverse perceptions of privilege and human connection through two pairs of mismatched individuals: a former trucker and his recently paralyzed ex-wife, and an arrogant young man with cerebral palsy and his new caregiver.

Lynn Nottage

For a nuanced yet powerful drama that reminds audiences of the stacked deck still facing workers searching for the American dream.

Lin-Manuel Miranda

A landmark American musical about the gifted and self-destructive founding father whose story becomes both contemporary and irresistible.

2020 Prize Winners

Nikole Hannah-Jones of The New York Times

For a sweeping, provocative and personal essay for the ground-breaking 1619 Project, which seeks to place the enslavement of Africans at the center of America’s story, prompting public conversation about the nation’s founding and evolution.

Christopher Knight of the Los Angeles Times

For work demonstrating extraordinary community service by a critic, applying his expertise and enterprise to critique a proposed overhaul of the L.A. County Museum of Art and its effect on the institution’s mission.