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Finalist: A 24-Decade History of Popular Music, by Taylor Mac

For an inspired bardic creation that involves the audience in a marathon musical journey that challenges the persistent societal demons of racism, sexism and homophobia.

Nominated Work

A 24 Decade History of Popular Music

Taylor Mac, Matt Ray, and Niegel Smith go in-depth on the process of creating their 24 hour long one man show, A 24-Decade History of Popular Music, a project supported by the Sundance Theatre Lab and which opened in New York this week.

Taylor Mac creates a radical fairy realness ritual by performing 246 songs that were popular in United States from 1776-2016.  With arranger and musical director Matt Ray, a backing band (or orchestra), and you.

-- from the playwright's website

Biography

Taylor Mac is a theater artist (who uses the gender pronoun, judy) which means judy’s a playwright, actor, singer-songwriter, cabaret performer, performance artist, director and producer. TimeOut New York has called Mac “One of the most exciting theater artists of our time” (naming judy the best cabaret performer in New York in 2012, and a future theater legend). American Theatre magazine says, “Mac is one of this country’s most heroic and disarmingly funny playwrights. The New Yorker says (of Mac’s acting in the title role of Brecht’s Good Person of Szechwan), “One of contemporary theater’s more unforgettable performances.” The Village Voice named judy the best theater actor in New York (2013), and The New York Times says of Mac in general, “Fabulousness can come in many forms, and Taylor Mac seems intent on assuming every one of them.” judy's work has been performed at New York City's Lincoln Center and The Public Theater, the Sydney Opera House, American Repertory Theater, Stockholm's Sodra Theatern, the Spoleto Festival, Dublin's Project Arts Centre, London's Soho Theatre and literally hundreds of other theaters, museums, music halls, cabarets and festivals around the globe. judy is the author of sixteen full-length plays and performance pieces including HIR, THE LILY'S REVENGE (Obie Award), THE WALK ACROSS AMERICA FOR MOTHER EARTH (named One of the Best Plays of 2011 by The New York Times), THE YOUNG LADIES OF (Chicago's Jeff Award nomination for Best Solo), RED TIDE BLOOMING (Ethyl Eichelberger Award), THE BE(A)ST OF TAYLOR MAC (Edinburgh Festival's Herald Angel Award). In collaboration with Mandy Patinkin, Susan Stroman and Paul Ford, Mac created THE LAST TWO PEOPLE ON EARTH: AN APOCALYPTIC VAUDEVILLE. Mac is also currently creating and performing sections from a durational concert called A 24-DECADE HISTORY OF POPULAR MUSIC, sections of which have been performed for Lincoln Center, the Under the Radar Festival at the Public Theater and Joe's Pub, and Chicago's Museum of Contemporary Art (among many others). Playscripts, Vintage Press, New York Theatre Review, and New York Theatre Experience have published judy's plays and judy is the recipient of a Helen Merrill Playwriting Award, two Sundance Theater Lab residencies, three Map Grants, the Creative Capital Grant, the James Hammerstein Award for playwriting, three GLAAD Media Award nominations, two New York State Council on the Arts grants, a Massachusetts Council of the Arts Grant, an Edward Albee Foundation residency, the Franklin Furnace Grant, a Peter S. Reed grant, and the Ensemble Studio Theatre's New Voices fellowship in playwriting. Mac is a proud alum of the HERE Arts Center Resident Artists program and is currently a New Dramatists fellow and a New York Theater Workshop Usual Suspect.

Winners

Prize Winner in Drama in 2017:

Lynn Nottage

For a nuanced yet powerful drama that reminds audiences of the stacked deck still facing workers searching for the American dream. Drama

Finalists

Nominated as finalists in Drama in 2017:

Sarah DeLappe

For a timely play about a girls’ high school soccer team that illuminates with the unmistakable ping of reality the way young selves are formed when innate character clashes with external challenges.

The Jury

Elysa Gardner(Chair)

Entertainment Critic

Annie Baker*

playwright

Jesse Green

Theater Critic and Contributing Editor

Jonathan Kalb

Professor of Theatre

Wendy Rosenfield

Theater Critic

Winners in Drama

Lin-Manuel Miranda

A landmark American musical about the gifted and self-destructive founding father whose story becomes both contemporary and irresistible.

Stephen Adly Guirgis

A nuanced, beautifully written play about a retired police officer faced with eviction that uses dark comedy to confront questions of life and death.

Annie Baker

A thoughtful drama with well-crafted characters that focuses on three employees of a Massachusetts art-house movie theater, rendering lives rarely seen on the stage.

Ayad Akhtar

A moving play that depicts a successful corporate lawyer painfully forced to consider why he has for so long camouflaged his Pakistani Muslim heritage.

2017 Prize Winners

C. J. Chivers

For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.

Peggy Noonan

For rising to the moment with beautifully rendered columns that connected readers to the shared virtues of Americans during one of the nation’s most divisive political campaigns.

Hilton Als

For bold and original reviews that strove to put stage dramas within a real-world cultural context, particularly the shifting landscape of gender, sexuality and race.

Art Cullen

For editorials fueled by tenacious reporting, impressive expertise and engaging writing that successfully challenged powerful corporate agricultural interests in Iowa.