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Finalist: Rob Rogers, freelancer

For provocative illustrations that channeled cultural and historical references with expert artistry and an eye for hypocrisy and injustice.

Nominated Work

February 20, 2018

March 1, 2018

March 2, 2018

March 30, 2018

April 15, 2018

April 29, 2018

May 31, 2018

June 1, 2018

June 13, 2018

June 19, 2018

June 22, 2018

July 6, 2018

July 28, 2018

August 16, 2018

August 17, 2018

October 13, 2018

October 23, 2018

October 26, 2018

October 28, 2018

December 24, 2018

Biography

Rob Rogers is the award-winning, nationally-syndicated editorial cartoonist formerly with the Pittsburgh Post-Gazette. In June of 2018, after 25 years on staff at the Pittsburgh Post-Gazette, Rogers was fired for drawing cartoons critical of President Trump.

After earning an MFA in painting from Carnegie Mellon University in 1984, Rogers landed an internship at the Pittsburgh Press. Three months later he was hired as the full-time editorial cartoonist. In 1993, Rogers joined the Pittsburgh Post-Gazette.

Syndicated by Andrews McMeel, Rogers’ work has appeared in The New York Times, The Washington Post, USA Today, Time, Newsweek and The Week, among others.

Rogers is an active member (and past president) of the Association of American Editorial Cartoonists. Rogers’ work received the 1995 National Headliner Award , as well as the 2000 and 2013 Thomas Nast Award from the Overseas Press Club. In 2015, Rogers was awarded the Berryman Award from the National Press Foundation. In 1999, he was a finalist for the Pulitzer Prize.

Rogers served as president of the ToonSeum, a museum of comic and cartoon art in Pittsburgh, from 2007 to 2017.

Rogers has also curated several national cartoon exhibitions including, Too Hot to Handle: Creating Controversy through Political Cartoons (2003) and Drawn To The Summit: A G-20 Exhibition Of Political Cartoons (2009), both at The Andy Warhol Museum, and Bush Leaguers: Cartoonists Take on the White House (2007) at the American University Museum. In 2015, Rogers curated Slinging Satire: Editorial Cartooning and the First Amendment at the ToonSeum. This exhibit included international editorial cartoons drawn in response to the Charlie Hebdo massacre in Paris. In 2016, Rogers co-curated From MLK to March: Civil Rights in Comics and Cartoons at the August Wilson Center for African American Culture.

In 2009, Rogers celebrated 25 years as a Pittsburgh editorial cartoonist with the release of his book, "No Cartoon Left Behind: The Best of Rob Rogers," published by Carnegie Mellon University Press. In 2015, he released a local cartoon collection called, "Mayoral Ink: Cartooning Pittsburgh’s Mayors." In early 2019, Rogers released "Enemy of the People: A Cartoonist's Journey" from IDW Publishing.

Winners

Prize Winner in Editorial Cartooning in 2019:

Darrin Bell, freelancer

For beautiful and daring editorial cartoons that took on issues affecting disenfranchised communities, calling out lies, hypocrisy and fraud in the political turmoil surrounding the Trump administration. Editorial Cartooning

Finalists

Nominated as finalists in Editorial Cartooning in 2019:

Ken Fisher, drawing as Ruben Bolling, freelancer

For pointed political commentary, informed by comics history, that provided readers nuanced satire of the Trump phenomenon.

The Jury

Matthew J. Von Pinnon(Chair)

Editor-in-Chief

Martha Carr

Managing Editor

Karen L. Green

Curator, Comics and Cartoons

Dan Perkins

Self-Syndicated Political Cartoonist, New York, N.Y.

Kyle Pope

Editor/Publisher

Winners in Editorial Cartooning

Jim Morin

For editorial cartoons that delivered sharp perspectives through flawless artistry, biting prose and crisp wit.

Jack Ohman

For cartoons that convey wry, rueful perspectives through sophisticated style that combines bold line work with subtle colors and textures.

Adam Zyglis

Who used strong images to connect with readers while conveying layers of meaning in a few words.

2019 Prize Winners